COURSES
Composition Master Class
with Annette Vande Gorne
Venue: Palácio
Marquês de Pombal in Oeiras
Date & Time:
Sunday,
September the 18th, from 9.30 to 12.30
Monday,
September the 19th, from 9.30 to 12.30 and from 14.30 to 17.30
Description
of the course:
In this course of acousmatic
composition, Annette Vande Gorne will present her work as a composer and her
pioneering perspective as regards the pedagogy of electroacoustic music.
With a profound knowledge of
the work of Pierre Schaeffer, and of other pioneers of electronic music,
Annette Vande Gorne will also discuss some of the greatest works of the
repertoire. Pupils will have the
opportunity to show their own works, which will be analysed and commented upon during
the Master Class.
MISO MUSIC PORTUGAL
Rua
do Douro 92 – Rebelva
2775-318
Parede – Portugal
Telefone:
+351 - 214 575 068
Fax: + 351 –
214 587 256
Email:
cursos@misomusic.com
Web: www.misomusic.com
Founder and program director of the Musiques &
Recherches center and the Métamorphoses d’Orphée studio (established in 1982)
in Ohain (Belgium). Organizer of the 1st International Acousmatic Festival in
Brussels (1984) and numerous concerts since. Publisher of the review Lien and compiler of a
documentation center on acousmatic art. Professor of electroacoustic composition
at conservatories in Liège, Brussels and Mons. Spatialization of acousmatic
music on tape, performing numerous concerts in Belgium and internationally. At
sixteen, she discovered the music of words (in the poetry of René Char and
Saint-John Perse ) and the same efforts to give life color and meaning that she
finds in the music of sounds. Several of her works represent different stages
of research into the various methods of weaving together text and music offered
by electroacoustics today.
COURSES
Composition Master Class
with
Marek Choloniewsky
“dark&lightZone – visible and invisible”
Venue: Palácio
Marquês de Pombal in Oeiras
Date & Time:
Tuesday,
September the 20th, from 9.30 to 12.30 and from 14.30 to 17.30
Wednesday,
September the 21st, from 9.30 to 12.30
Description
of the course:
In this
composition course, Marek Choloniewsky presents a selection of aesthetic
concepts of audiovisual art based both on less recent and very new technology.
These sessions will also include practical demonstrations and applications of
the MaWe and MAX/ MSP software. The possibilities of the integration of
conventional forms of art with the most advanced contemporary techniques will
be explored, with reference to his own work, which has included Audio Art,
Interactive Art, GlobalMix, GPS-Art, Web Collaborative Art,…
MISO MUSIC PORTUGAL
Rua
do Douro 92 – Rebelva
2775-318
Parede – Portugal
Telefone:
+351 - 214 575 068
Fax: + 351 –
214 587 256
Email:
cursos@misomusic.com
Web: www.misomusic.com
Born in 1953 in Cracow, studied
organ (with L.Werner), theory of music and composition (with B.Schaeffer) at
the Krakow Academ of Music, where since 1976, has been employed on the faculty
of the Electro-acoustic Music Studio (currently as an Associate Professor of
Composition). In 1977 he founded Cracow Society of Contemporary Music - Muzyka
Centrum, largely engaged in concert work. Since 80-ties he co-founded many
ensembles and music groups: Freight Train (with P. Bikont, K.Knittel),
CH&K&K (with K.Knittel, W.Kiniorski), mc2 duo (with M.Chyrzynski),
NaturalPlastic (with A.Knoles), which deals with concert and recording
activities. Since 1987 he has been giving concerts, workshops and lectures in
Europe, Asia, North and South America. In addition, in 1986, he founded his own
annual International Concert Series called "Audio Art" which
presented the most important artists and achievements in "sound art"
from all over the world. A world renown lecturer, composer, "live computer
music" performer, and author of audio-visual computer projects, Chołoniewski
writes instrumental and computer music for theater, film and radio. He is
initiator and artistic director of Audio Art Festival (in Cracow and Seoul –
with J.Ryu), International Workshops for New Music Cracow/Stuttgart (with
M.Hermann). In-between 1993 – 1999 he was an artistic director of the
International Academy for New Composition and Audio Art in Schwaz (Austria –
with Marianne Penz). Since 2000 he is director of the Electro-acoustic Music
Studio at the Cracow Academy of Music. Founder of open, outdoor projects:
GlobalMix, ArtBoat and GPS-Art. Since 2003 he is coordinator and cooperator of
European projects: Bridges, Ensemble Spiel (with S.Meier), European Music
Cursus (IRCAM). In 2005 he founded Polish Federation of Electroacoustic Music
(section of CIME).
COURSES
Composition Master Class
with
Philippe Hurel
Venue: Centro
de Apoio Social de Oeiras, in Oeiras
Date & Time:
Friday,
September the 23rd, from 14.30 to 16.30
Description
of the course:
In this
composition course, Philippe Hurel will discuss his work, showing the concepts
and techniques of which he makes frequent use, and which point towards new
paths for spectral music.
MISO MUSIC PORTUGAL
Rua
do Douro 92 – Rebelva
2775-318
Parede – Portugal
Telefone:
+351 - 214 575 068
Fax: + 351 –
214 587 256
Email:
cursos@misomusic.com
Web: www.misomusic.com
Né en 1955.
Après des études au
Conservatoire et à l’Université de Toulouse (violon, analyse, écriture,
musicologie), puis au Conservatoire de Paris (composition et analyse), il
participe aux travaux de la “Recherche musicale” à l' Ircam 1985/86 - 1988/89.
Il est pensionnaire de la Villa Medicis à Rome de 1986 à 1988.
En 1995, il reçoit le
Prix de la Fondation Siemens à Münich pour ses “Six Miniatures en Trompe-l’œil”
.
Il enseigne à l’Ircam
dans le cadre du Cursus d’informatique musicale de 1997 à 2001.
Il est en résidence à
l’Arsenal de Metz et à la Philarmonie de Lorraine de 2000 à 2002.
Il reçoit le Prix Sacem
des compositeurs en 2002 et le Prix Sacem de la meilleure création de l’année
en 2003 pour « Aura ».
Depuis 1991, il est
directeur artistique de l’Ensemble Court-circuit placé sous la direction
musicale de Pierre-André Valade.
Ses œuvres sont éditées
par Gérard Billaudot Editeur et par les Editions Henry Lemoine.
Elles ont été
interprétées par de nombreux ensembles et orchestres sous la direction de chefs
tels que Pierre Boulez, Esa Pekka Salonen, David Robertson, Jonathan Nott,
Reinbert de Leeuw, Bernard Kontarsky, Stefan Asbury, Kent Nagano, Peter Eötvös,
Markus Stenz, Ed Spanjaard… et bien entendu Pierre-André Valade avec lequel il
travaille régulièrement.
Durant la saison
2004/2005 2005 il a été l’invité du festival Ultima d’Oslo où ont été créées
trois de ses dernières
pièces : « Trois études mécaniques » par Bit20 ensemble,
« Phonus » par Benoît Fromanger et l’orchestre Philharmonique d’Oslo
et « Ritornello » par Anne-Cécile Cuniot et Jean-Marie Cottet. Par ailleurs, sa dernière œuvre
« Non-Dit » a été créée en juin 2005 par le Jeune chœur de Paris à la
Cité de la musique.Cette saison, « Phonus » pour flûte et orchestre
et « Flashback » pour grand orchestre seront joués par l’ Orchestre
National de Bordeaux les 9 novembre et 7 décembre 2005.
Ses prochaines pièces lui
ont été commandées par l’Ircam, Accroche-Note, le festival Ultima (Oslo), le
quatuor Diotima …